Genre: Horror
THE ARTIST
By Randy Romero
Nathan Gray did his best to
navigate the treacherous, poorly lit road of Old Montauk Highway. And though
they called it a highway, it was really just one long road in and out of town.
The maximum speed limit was thirty, and for good reason. The road was long,
winding, hilly, and full of dangerous curves and sharp, sudden turns. It was
like being on a rollercoaster, the road rising and falling, rising and falling
with every stretch of pavement.
And if the roads in Montauk
weren’t dangerous enough, you had to watch out for the deer constantly running
out into the middle of the road. And if it wasn’t the deer, you had to contend
with the fog.
And that day, a dense fog had
crept in from the bay, slowly enveloping the sleepy hamlet of Montauk. Nathan traveled
well below the speed limit as he entered town. He could hardly see a foot in
front of him. And there were no stop signs or streetlights on the main road. He
was terrified he’d smash up somebody’s car, or God forbid, hit someone trying
to cross the street.
There were only three gas
stations in town. He strained to see them, but he counted as he passed each
one. He knew to make a left on Essex Street, after the third gas station. From
there, he followed the road for two straight miles and then turned right on Fairmont.
Then another right on South Federal Street. That’s where his Uncle Gordon once resided.
Craig Stillson was already
waiting for him in the semi-circular driveway, smoking a cigarette. Nathan
parked his red Dodge Dart behind Craig’s white Ford Cobra. The Cobra was from
2003, but it was a collector’s car. Cars were never really Nathan’s thing. All
he cared about was getting from point A to point B. He didn’t care how rare the
vehicle was, how fast it went, what it looked like. Four wheels and an engine
was all he needed.
“This fog is a real bitch,”
Craig declared. “I wouldn’t have found the place without my phones GPS. It’s
been a long time. I think the last time I was here was the summer of 2002.
How’d you fair?”
“I could barely see a thing. I’m
lucky I got here in one piece. I’m surprised you beat me here.”
“Well, I do have a two hour head
start. You live all the way in the city, I live in Riverhead.”
“You’ve got a point, I suppose.”
“How’s the city treating you?”
“It’s good for making a living.
But it’s a lot different than Long Island, I’ll tell you that. This is the
first time I drove my car in months. It’s a pain in the ass trying to drive
around the city. I keep my car in storage unless I need it. I’m basically dependent
on Uber and the subways.”
“Well, you’re not missing much
here. If I didn’t have the shop in Riverhead, I wouldn’t left Long Island by
now.”
“I passed the movie theater on
my through town. It looked different but it was hard to tell with the fog.”
“That’s because they sold it.
It’s a place for spin classes now.”
“You’re kidding me. That’s a
heartbreaker. I saw my first movie there when I was a little kid.”
“Things are changing around
here, Nate. You should see this place in the summertime. It’s worse than the
city. It’s a zoo. So many tourists that come and trash the place. No respect.”
“I guess I’m lucky I came in the
fall. Are you ready to do this?” Nate asked, jingling his keys.
“Ready, Freddy.”
“Thanks, by the way. Nobody else
wanted to help. Not even my family.”
“Ah, don’t mention it. So, how’s
life outside of Montauk?”
“It took a while to adjust. But
the city has its charms.”
He fumbled with the keys until
he figured out which one opened the front door. The door creaked as it blew
open and kicked up a cloud of dust.
They passed through the spacious living room, with its retro blue-and-white checkered wallpaper and vintage furniture. The walls were adorned with various paintings, all creations of Gordon Gray himself.
Gordon was a recluse. He disappeared a year ago, but it took months for anybody to notice. Despite his reclusiveness, he was a successful artist up until the time of his disappearance.
His uncle’s painting were different,
to say the very least. Nathan’s mom called them unique. His dad called them psychotic.
Gordon Gray had talent and skill and grace. But his paintings were dark, shocking,
wicked.
Nathan couldn’t help but look at
them as they passed by. One painting depicted a scenic picnic, but the
background was morbid and depressing. The trees were all rotted and decayed, the
sky pitch black, rows of headstones slightly visible in the distance.
Nathan’s favorite was the one of
the Merry-Go-Round on fire. It was an oddly beautiful painting. And thankfully
his uncle didn’t paint any people in it. He shuddered at the painting of the
creepy clown with smeared white makeup and black, rotting teeth.
“I really like this one,” Craig
said, admiring a painting aptly titled Shipwrecked. In it, a sea monster with myriad
tentacles was devouring a large ship. “Your uncle was a very interesting
fellow. Does mental illness run in your family, or was it just him?”
“Uncle Gordon was different to
say the least. Now come on, you can check this stuff out later. We’ve got a lot
of work ahead of us.”
“Where to?”
“Let’s start in the basement.
That’s where most of the clutter is. I brought some empty boxes with me.”
Craig went ahead, but Nathan
stopped at the last painting on the wall. For some reason, his uncle called it
Genesis. A beast of unimaginable terror. No matter where he stood, it seemed to
stare directly at him with its narrow red eyes and jagged, uneven teeth. Its had
spikes covering its entire exterior, all varying in size and shape.
There was a story that went
along with the painting. Only Nathan couldn’t remember it. A lot of his uncle’s
paintings had creepy stories attached to them that he used to scare Nathan and
his brother growing up.
Nathan finally tore himself away
from the painting and joined Craig in the kitchen. He unlocked the door to the
basement. He ran his hand up and down the wall until he found the light switch.
Nathan went down first, Craig following behind him.
“So what’s the story with your
uncle? I mean there’s plenty of rumors floating around town. But what do you
think really happened to him?”
“Nobody in the family knows. He just
disappeared one day. He didn’t call anyone. Didn’t send any letters. He just
vanished. But my dad came to check out the house. He said it didn’t look like
any of his stuff was missing. You mentioned the summer of 2002. That was the
last time I was here too. My parents bought a place out here after that and we
moved here full time. And my dad didn’t want me coming over here anymore. The
whole family kind of cut my uncle out of my picture. His paintings used to be
normal. Sunsets and oceans, bowls of fruit, flowers in vases. But in 2002,
everything changed. His work started getting darker and more intense. He sort
of lost touch with reality.”
“That’s putting it mildly.”
“A year or so before he
disappeared, he was convinced that his paintings were real, that they had taken
on a life of their own.”
“The old life imitates art cliché.
Or would that be art imitating life?”
“I think it would be the latter,
if he thought what he was painting was real. But that was the last time my dad
talked to his brother. Before he disappeared, my dad was thinking about having
him involuntarily committed.”
They stumbled around the
basement, trying to find room to move among all the clutter. The basement was
indeed a mess. His uncle had been a bit of a hoarder. They started sorting
through everything, dividing things up. They had one box for photo albums and
other sentimental items that Nathan’s family might want to keep or look
through.
The other boxes were for junk.
How depressing, Nathan thought. When you die somebody just takes your stuff and
hauls it off to the dumps or Goodwill.
They spent several hours
clearing out the basement. In all that time, they never noticed the door. It
blended right in with the wall. Craig finally spotted it when he was moving an
old nightstand out of the way. He tried to open it, but the door was locked.
“Is this where your uncle kept
the lotion and the basket?”
“Very funny. I have no idea
what’s in there. Probably a utility room or storage closet.”
He went through all the keys on
the ring, but couldn’t find the one that unlocked the door.
“I guess your uncle didn’t want
anyone to see what was in there.”
“Thanks for the help, Craig. I
think we should call it a night.”
“Where are you going to crash?”
“Here, I guess. I’ve got some
fresh bedsheets and pillows in my car. I can rough it here for a few days until
I’m done cleaning the place out. Then it’s the real estate agent’s problem.”
On the way out, they passed
Genesis.
“Whoa,” was all Craig could
muster at first. Then he added, “That’s pretty fucking metal. Your uncle was
one twisted dude. You think he’ll ever turn back up?”
“If he does, it won’t be any
time soon.”
***
Nathan barely slept that night. His
mind kept going back to the painting, back to Genesis. He wondered what could
have possessed his uncle to paint that monstrosity. If the thought wasn’t
enough to keep him awake, the noisy pipes in the basement did the trick.
The incessant thumping noise was
maddening. If he didn’t know any better, he could swear it wasn’t the pipes at
all. He could swear something was pacing back and forth, stomping around down
there.
And that made him think about the
door and what could possibly be behind it. Why was it locked? What was his
uncle hiding?
He tried not to think about it
anymore. Just shut his eyes and waited until morning. He knew it would be a few
days there, so he came with food and supplies, including coffee. He made a
fresh pot and called Craig. But Craig didn’t answer. So he got to cleaning;
dusting and sweeping and polishing the furniture, clearing out the bedrooms. By
noon, he still hadn’t heard a word back. He was starting to get concerned.
So he called Craig’s mom. He
could tell from the muffled sobs on the other end of the phone that it wasn’t
good news. Craig was dead. Apparent suicide. He stopped at a bar after he left
Nathan, came home late, drunk and disoriented, mumbling something about a
painting and a creature that was following him. She found him in his room that
morning, hung by his neck. She said he left a note, long and rambling. None of
it made any sense. But it implied he was doing it to prevent this creature from
getting to him.
Nathan got very quiet. He
offered his condolences and ended the call in a hurry. He stared at Genesis and
tried his hardest to recall the story behind it. He couldn’t deny the painting
was terrifying. But paintings don’t kill people, or drive people to kill
themselves. What was it about this painting that scared him so much?
Art imitates life.
He considered, for a moment, the
possibility that his uncle was right. That his paintings were real. That were
inspired by things he saw, or things only he could see. Maybe that’s what drove
him mad. Maybe he was seeing visions.
Nathan stopped himself from thinking
too much about it, before he drove himself insane. He called it a day. He had
done enough work. And after the news about Craig, he didn’t feel like cleaning.
Didn’t feel like doing anything at all.
***
Nathan didn’t sleep a wink that
night. He couldn’t stop thinking about Craig, about his poor mom. His whole
family was devastated. And Nathan couldn’t help but feel responsible.
The pipes were sounding off
again, the noise so loud Nathan could feel it inside his skull. It’s just the
house, Nathan thought. The house is old. Old houses make strange noises
all the time. Old…old?
That word seemed to trigger
Nathan’s memory. The stories his uncle used to tell came flooding back. Genesis
was a creature that had existed since the beginning of time. It outlasted the
dinosaurs, and according to his uncle, it would outlast us too, because Genesis
cannot be killed. Genesis can only be contained, locked away. But it cannot be
destroyed.
The door in the basement…
But he had to stop himself
again. He realized how absurd all this sounded, even inside his own head. The
painting was just a painting. Craig’s death was tragic but it had nothing to do
with his uncle. And there were no monsters hiding in the basement. And to
prove, Nathan decided to put an end to it once and for all. He went down to the
basement and sorted through his uncles tools until he found a crowbar. The door
was metal but he worked feverishly to pry it open. It took some work, but the
door finally gave.
The room was dark and damp. And
the smell hit him like a punch to the throat.
He used the light on his phone
to inspect the room. It went back farther than he had imagined.
Nothing at first. Then, spots of
dried blood on the floor.
Then, he identified the source
of that foul, pungent odor.
The body of a man that was
likely his uncle, though it was impossible to tell. It had been so many years
since he last saw him, and there wasn’t much of his body that remained.
Something had been feeding on him for a while, long after he had rotted away.
Trembling, he moved forward.
There was only so much of the room that the light on his phone could cover. But
he didn’t have to go far to see it.
It lurked in the darkest corner
of the room. The creature from his uncle’s painting.
Its narrow red eyes were locked
on Nathan. Spikes covered practically every inch of its body. But that wasn’t
what scared Nathan the most.
The spikes were moving. Pulsating.
As if each spike was its own living, breathing organism. Paralyzed with fear,
Nathan couldn’t move, couldn’t breathe. He could only think. He thought about
his uncle. How his family would never know that he was telling the truth. His
paintings were more real than they ever could have imagined.